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Photography: In American Textile Mills

Posted on Jun 28, 2016 by

Architectural photographer Christopher Payne is renowned for his documentation of America’s industrial heritage. In ‘Textiles’ he catalogues 25 of the last remaining mills in New England. As their machines run continuously, it took several months for Christopher to achieve some shots, when certain colours appeared and mechanisms aligned. And vibrations caused by the machinery were a challenge. But in capturing the transformation of raw fibre to finely wound and woven threads, this series is a vibrant celebration of an industry determined, and deserving, to survive. To learn more, visit Christopher Payne’s website.

Bartlettyarns Textile Mill features as one of the last remaining mills of New England in photography series 'Textiles' by Christopher Payne. Read the story in Issue Four of Warehouse Home Interior Design magazine.

Bartlettyarns Textile Mill in Harmony, Maine, is one of New England’s last remaining heritage textile mills.
Photography by Christopher Payne

“In this post-industrial age, we’ve become too dependent on imports. We have no idea where goods come from or how things are made. If there is a basic message I’m trying to convey in my photographs, this is it: manufacturing still matters. This is a celebration of manufacturing—not a eulogy.” Christopher Payne

It is a sad truth that much of America’s once thriving textile industry has been outsourced to overseas locations and their cheaper workforces. And left in the wake are many abandoned mills. Those few that remain have either been forced to adapt to the modernisation of an industry now dominated by foreign imports, or they are fortunate enough to still cater to a niche market that values origin and craftsmanship over costs. Visiting the mills near his birthplace, photographer Christopher Payne set out not only to capture New England’s textile heritage, but also to honour those individuals who are responsible for preserving small-scale manufacturing and craftsmanship in America, in spite of the global competition and unrelenting technological progress.

Circular knitting machines were introduced in the 1860s. The earliest models were hand-powered machines used to produce stockings. Newer models, like those shown here at Fall River Knitting Mills, Massachusetts, share the same function but can create more complicated garments in less time.

Circular knitting machines at Fall River Knitting Mills, Massachusetts. One of 25 mills featured in photographic series 'Textiles' by Christopher Payne, We cover the story in Issue Four of Warehouse Home Interior Design Magazine

Circular knitting machines at Fall River Knitting Mills, Massachusetts
Photography by Christopher Payne

Wool carders brush raw wool fibres, disentangling and cleaning them for spinning.

Vibrant raw wool fibres are disentangled and cleaned in preparation for spinning. This image is part of a photographic series 'Textiles' by Christopher Payne. We cover the story in Issue Four of Warehouse home Interior Design Magazine

Vibrant raw wool fibres are disentangled and cleaned in preparation for spinning
Photography by Christopher Payne

Each image in the Textiles series captures a different part of the process, including many which remain entirely unchanged.

An assortment of brightly coloured threads offer a strong contrast to the industrial backdrop of this textile mill featured in photographic series 'Textiles' by Christopher Payne. We cover the story in Issue Four of Warehouse Home Interior Design Magazine

An assortment of brightly coloured threads offer a strong contrast to the industrial backdrop
Photography by Christopher Payne

Raw wool is separated and cleaned using the picker and duster machine. Bartlettyarns, Harmony, Maine

Raw wool is separated and cleaned at Bartlettyarns, Harmony. One of 25 remaining textile mills to feature in photographic series 'Textiles' by Christopher Payne. We cover the story in issue four of Warehouse Home interior design magazine

Raw wool is separated and cleaned at Bartlettyarns, Harmony
Photography by Christopher Payne

Dyed fibres are piled up before beginning the process that will clean, order and spin them.

Dyed fibres are piled before beginning the spinning process at S&D Spinning Mill, Millbury. One of 25 remaining mills to feature in photographic series 'Textiles' by Christopher Payne. We cover the story in Issue four of Warehouse home interior design magazine

Dyed fibres are piled before spinning at S&D Spinning Mill, Millbury
Photography by Christopher Payne

This feature has been taken from Warehouse Home Issue Four, which is out now! The latest issue of the internationally renowned Warehouse Home magazine is live online and can be enjoyed in full and entirely free. Read Warehouse Home Issue Four by clicking here or view in the reader below.

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